Acid Bath was a seminal American sludge metal band from Houma, Louisiana that was active from 1991 to 1997. Acid Bath combined doom metal roots with influences from black metal, death metal, gothic rock, blues, folk, and country. In a Pit Magazine interview, vocalist Dax Riggs classified their sound as "death rock" (referring to death as a dominant lyrical theme, rather than deathrock), and also classified the band's music as a blending of stoner metal and doom metal. In another interview, guitarist Sammy Duet described their sound as "gothic hardcore".

Acid Bath was an incarnation of two bands, Dark Karnival which featured Audie Pitre, Sammy "Pierre" Duet, and Tommy Viator, and Golgotha which featured Dax Riggs, Mike Sanchez, Jimmy Kyle, and Jerry "Boon" Businelli. Golgotha's bassists were in frequent rotation finally culminating with Chad Pierce, who would then be succeeded by Pitre during Acid Bath's formation. Tommy Viator was later replaced by Jimmy Kyle on drums but would return to play keyboards toward the end of the band's career. Joseph J. Fontenot was the bassist for a short period of time.

Acid Bath was formed in 1991. The band was based south of New Orleans in several small towns including Houma, Thibodaux, Morgan City and Galliano. Influenced by thrash metal as well as bands and artists such as Black Sabbath, Alice Cooper, Celtic Frost, Carcass and Darkthrone, they recorded their demo Hymns of the Needle Freak with their manager and producer Keith Falgout in 1993. The strength of the demo earned them a deal with an independent label. They released When the Kite String Pops produced by Spike Cassidy in 1994, followed two years later by their second and final effort Paegan Terrorism Tactics (also produced by Keith Falgout). Neither gained them mainstream success by any means, but both albums earned a high degree of underground acclaim. In 2005, another album composed of their demos, Demos: 1993 - 1996, was released.

After two studio albums, Acid Bath's career came to an abrupt close on January 23, 1997 when bass guitarist Audie Pitre and his parents were killed by a drunk driver who ran a stop sign.

While rumors of another album circulated after the band's end, nothing new surfaced. The supposed album was named "Killer Rat Poison". Tommy Viator played keyboards on this album. Sammy Duet has only given out copies to a few close friends because he used some of the riffs for Goatwhore's earlier material.

Tommy Viator played drums on Disincarnate's album Dreams of the Carrion Kind with the well-known death metal guitarist James Murphy. Dax Riggs and Mike Sanchez went on to perform in the band Agents of Oblivion, releasing one self-titled album in 2000 and disbanding shortly thereafter. Starting in 2000, Riggs was also the frontman for the swamp rock band Deadboy & the Elephantmen, before he began releasing material under his own name in 2007. Sammy Pierre Duet was once a member of Crowbar, but has since left the band. He is now a member of the blackened death metal band Goatwhore and Ritual Killer and his doom metal band with Kelly Pitre (the brother of Audie) Vual. Sammy Duet has remained an open satanist since his days in Acid Bath. Audie had formed a unique metal band in 1995, blending black metal vocals with the heavy sound of multiple bassists with no guitars, known as Shrüm. Tommy Viator and Joseph Fontenot were also members of Shrüm. Shrüm utilized two distorted low-end basses, and Fontenot would alternate between playing a distorted high-end bass and a clean bass. Fontenot later joined Devourment to play bass for a couple years.

Acid Bath are best known for blending extreme, grindcore-influenced sludge metal with a mixture of death growls and melancholic goth/grunge-style vocals and acoustic guitar passages, as well as use of sampling and the spoken word poetry. The band sampled sound clips from controversial movies including Blue Velvet and A Clockwork Orange. Dax Riggs' vocals were processed, which produced an industrial feel; some other instruments have been processed through industrial effects in their recordings (such as the snare drum on the second half of "New Death Sensation"). One of Acid Bath's most trademark sounds was the way in which they crafted multiple tempo changes and worked them into the song structure. Their experimentation drifted into diverse territory. The song "Scream of the Butterfly" is an acoustic blues song with the drummer utilizing double bass drum patterns toward the end of the song. The song "The Bones of Baby Dolls" experiments with folk musicianship, and the song "Dead Girl" is a country song and was described as such by Dax Riggs.

Dax Riggs' lyrics are frequently poetic, oftentimes displaying an obsession with death, drug use, mental illness, dark humor, Louisiana-based regional culture, and continuous references to animism as well as paganism, nihilism, and misanthropy. He has claimed these inspirations are culled from comic books, namely those authored by Frank Miller, Alan Moore, and Clive Barker, and has also expressed admiration for ANSWER Me! and Boiled Angel. Allmusic's William York has stated that the song "Venus Blue" could have been a radio hit "if not for the graphic lyrics". Another facet of their presentation which may not have endeared them to popular sentiment was the use of art by John Wayne Gacy and Dr. Jack Kevorkian. Due to the controversy surrounding Kevorkian's artwork For He Is Raised on the album, Paegan Terrorism Tactics was initially banned from Australia. The ban has since been lifted. The cover of the band's 1994 extended play simply entitled Edits featured the artwork of Richard Ramirez. The cover of their 1996 compilation entitled Radio Edits featured the artwork of Kenneth Bianchi. Their song "Diäb Soulé" (the "Drunken Devil" in Cajun-French) starts out with an audio sample of Jim Jones of the People's Temple screaming. Their song "Toubabo Koomi" is Cajun-French for the "Land of White Cannibals".

Despite only releasing two albums, as well as a number of radio edits and an official bootleg DVD, Acid Bath have gained a strong underground following (especially in Louisiana) owing to the unique, experimental nature of their music.

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