Tuned down 1/2-step
Key:
/ = slide up
\ = slide down
b = bend (whole step)
b^ = bend (1/2 step)
b^^ = bend (1 1/2 steps)
pb = pre-bend
r = release-bend
t = tap with righthand finger
h = hammer-on
p = pull-off
~ = Vibrato
* = Natural Harmonic
#(#) = Trill
** = Artificial Harmonic
x = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
(\) = Dive w\bar
(/) = Release w\bar
Tp = Tap w\plectrum
Rhythm Fig. 1
Gb|--12h14----------12h14----------14-12----12-------------|
Db|--------------------------------------14----14-12-10-12-|
Ab|-----------------------12-------------------------------|
Eb|--------------------------------------------------------|
Rhythm Fig. 2
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--3\-2-----3----5----0----------|
Eb|-------------------------------(3)----------------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--3\-2-----5--------------------|
Eb|-------------------------------(3)------0--3--0---------|
Rhythm Fig. 3
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--3\-2-----3----5----0----------|
Eb|-------------------------------(3)----------------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--3\-2-----5--------2-----------|
Eb|-------------------------------(3)----------------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--2--2--2--2--2--2--2--2---5--------3----0--3----0------|
Eb|----------------------------------------------------3---|
< - - - - - 2x - - - - >
Rhythm Fig. 4
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--3\-2-----3----5----0----------|
Eb|-------------------------------(3)----------------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--3\-2-----5--------------------|
Eb|-------------------------------(3)----------------------|
Rhythm Fig. 5a
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-----------------------3\-2-----3----5------------------|
Eb|--5----5----5----5--0-------(3)-----------3-------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-----------------------3\-2-----5-----------------------|
Eb|--5----5----5----5--0-------(3)------0--3--0------------|
Rhythm Fig. 5b
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-----------------------3\-2-----3----5------------------|
Eb|--5----5----5----5----------(3)-----------3-------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-----------------------3\-2-----5-----------------------|
Eb|--5----5----5----5----------(3)------0--3--0------------|
Rhythm Fig. 6a
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-----------------------3\-2-----3----5------------------|
Eb|--5----5----5----5--0-------(3)-----------3-------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-----------------------3\-2-----5----------5------------|
Eb|--5----5----5----5--0-------(3)------5--7---------------|
Rhythm Fig. 6b
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-----------------------3\-2-----3----5------------------|
Eb|--5----5----5----5----------(3)-----------3-------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-----------------------3\-2-----5----------5------------|
Eb|--5----5----5----5----------(3)------5--7---------------|
Rhythm Fig. 7
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|-------------------------5------------------------------|
Eb|--0-------3---0--5----7-------0-------3---0--5----3--0--|
< - - - - - 2x - - - - - >
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--5----------------3----0--3----0-----------------------|
Eb|-----------------------------------3--------------------|
Rhythm Fig. 8
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--0--0--0--0--0--0--0--0--3\-2-----3----5----0----------|
Eb|-------------------------------(3)----------------------|
Gb|----------------------12h14---12h14---------------------|
Db|--------------------------------------------------------|
Ab|--0----------------------------------------------0------|
Eb|--------------------------------------------------------|
ALL AMERICAN MAN
Paul Stanley, Sean Delaney
[Intro: guitar only]
[Rhy. Fig 1]
[Rhy. Fig 2](2x)
[Rhy. Fig 5a](3x)
Yeah
Mama told me, "Your lady's lookin' for another man"
I never worry, there ain't a need for me to take no stand
I got my reasons, the things I do are better left unsaid
[Rhy. Fig 6a]
I'm into pleasin', I do my talkin' with my hands instead
[Rhy. Fig 7]
'Cause I can make some time
You got your ticket and you're lookin' fine
You're starin' at the band, you want to land
A six foot, hot look, all American man, yeah
[Rhy. Fig 2](2x)
[Rhy. Fig 5b]
I've been to Detroit, I've been to L.A. and I've seen St. Lou
[Rhy. Fig 6b]
I've had some good times, but I've been waitin' for a girl like you
[Rhy. Fig 7]
'Cause I can make some time
You got your ticket and you're lookin' fine
You're starin' at the band, you want to land
A six foot, hot look, all American man
[Rhy. Fig 3]
Yeah
All American man
[Rhy. Fig 2](2x)
[Rhy. Fig 7]
'Cause I can make some time
You got your ticket and you're lookin' fine
You're starin' at the band, you want to land
A six foot, hot look, all American man
[Rhy. Fig 2]
A man
[Rhy. Fig 4]
I'm a six foot, hot look, all American man, yeah
[Rhy. Fig 8]
