(distorted electric guitar) e--------------------------------------------------| B--------------------------------------------------| G--------------------------------------------------| D--------------------------------------------------| A--------------------------------------------------| E-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2 3/4|-|2 3/4|--| e--------------------------------------------------| B--------------------------------------------------| G--------------------------------------------------| D--------------------------------------------------| A--------------------------------------------------| E-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|--| e---------------------------------... B---------------------------------... G---------------------------------... D---------------------------------... A---------------------------------... E-|4|-|4|-|4|-|4|-|4|-|4|-|4|-|4|-... play a simile of this for a few measures. the bass is doing something like this: G--------------------------------------------... D--------------------------------------------... A--------------------------------------------... E-0-3-2-1-0--0-3-2-1-0--0-3-2-1-0--0-3-2-1-0-... the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: E G F# F E If you don't understand this, find someone to explain, because it takes far too long to write out chord diagrams. Do we have any questions about that? chad. (chad@lsmsa.edu) From chad@lsmsa.edu Fri Jan 19 04:18:29 1996 guitar@nevada.edu cc: Chad Crawford Subject: Bauhaus' "stigmata martyr" Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Status: RO I'm sorry. It's by Bauhaus This is "Stigmata Martyr." Fret numbers enclosed in pipes (i.e. |4|) mean to play the natural harmonics above that fret (or in the case of |2 3/4| that fraction past the indicated fret. If you can't figure it out, e-mail me and I'll try to explain to you. (distorted electric guitar) e--------------------------------------------------| B--------------------------------------------------| G--------------------------------------------------| D--------------------------------------------------| A--------------------------------------------------| E-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2 3/4|-|2 3/4|--| e--------------------------------------------------| B--------------------------------------------------| G--------------------------------------------------| D--------------------------------------------------| A--------------------------------------------------| E-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|--| e---------------------------------... B---------------------------------... G---------------------------------... D---------------------------------... A---------------------------------... E-|4|-|4|-|4|-|4|-|4|-|4|-|4|-|4|-... play a simile of this for a few measures. the bass is doing something like this: G--------------------------------------------... D--------------------------------------------... A--------------------------------------------... E-0-3-2-1-0--0-3-2-1-0--0-3-2-1-0--0-3-2-1-0-... the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: E G F# F E If you don't understand this, find someone to explain, because it takes far too long to write out chord diagrams. Do we have any questions about that? chad. (chad@lsmsa.edu)
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